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This “response theory” course explores the clout that images, high and low, have wielded in the distant and recent Western past. Makers of images are seen alongside breakers of images. As “live” objects of exchange and conflict, images are produced, then reinterpreted, fetishized, feared, banned, censored, mutilated and destroyed. Themes include pilgrimage; art and sexual arousal; Mapplethorpe; images in war.
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