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Examines post-World War II East European cinema, including Poland, Hungary, Czechoslovakia, and social and political contexts in which films developed, moving from indoctrination and dogma to dissent and independence. Studies basic cinematic principles and enduring cultural traditions in Czech cinema (Menzel, Forman, Prague Spring works), Polish cinema (Wajda, Polanski, Skolimowski, Zanussi, Kieslowski) and Hungarian cinema (Jansco, Szabo, Meszaros, Makk).
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